Benim d\u00fc\u015flerde Fenerbah\u00e7e’nin ileri \u00fc\u00e7l\u00fcs\u00fc… \u015faga \u015faga.<\/p>\n\n\n\n
Voice Leading denen bir tabir var m\u00fczikte sevgili okurlar. Klasik bat\u0131 m\u00fczi\u011finin ve do\u011fal olarak modern bat\u0131 m\u00fczi\u011finin de armonisinin neredeyse \u00fczerine in\u015fa edildi\u011fi bir konsept. Ana fikir \u015fu; akor de\u011fi\u015fimlerinde akor seslerini birbirlerine en yak\u0131n seslere hareket ettirerek y\u00fcr\u00fctmek. (BEYLER, KARADAN) Da\u011f\u0131lmayal\u0131m arkada\u015flar diyor yani sesler birbirlerine. G\u00f6z\u00fcm\u00fcn \u00f6n\u00fcnden kaybolmay\u0131n diyorlar. \u00dcnl\u00fc bestecimiz, asr\u0131n hatas\u0131 Serdar Orta\u00e7gil’in de dedi\u011fi gibi; topu topu yedi nota var. Tam da bu y\u00fczden her t\u00fcrl\u00fc akorun i\u00e7inde ortak ya da yana\u015f\u0131k sesler bulmak m\u00fcmk\u00fcn. <\/p>\n\n\n\n
\u00dcniversitelerde armoni 4 partili koro \u00fczerinden \u00f6\u011fretilir genelde. \u0130lk \u00f6nce size 4 \u00f6l\u00e7\u00fcl\u00fck bir bas partisi verilir e\u011fer zaman\u0131nda iyi armoni \u00f6\u011frenmi\u015f bir hocan\u0131z varsa. Sonra sizden \u00fczerine tenor, alto ve soprano partilerini yazman\u0131z\u0131 ister. Yani akorun k\u00f6k sesini veriyor, sonra \u00fczerine k\u00f6k seslere bakarak kadanslar yard\u0131m\u0131yla dereceleri tahmin edip, akorlar\u0131 k\u00f6k ya da \u00e7evrim \u015feklinde yazman\u0131z\u0131 istiyor. 4’l\u00fc armonide de\u011filseniz bir sesi katl\u0131yorsunuz, bu. Bunu yaparken sesler birbirlerine en yak\u0131n seslere gidecek \u015fekilde hareket ediyor. Voice leading bu i\u015fte. Peki Erdal Erzincan ne alaka? \u015eaka m\u0131?<\/p>\n\n\n\n
De\u011fil. <\/p>\n\n\n\n
Erdal hocan\u0131n bir makalesi var. Ba\u011flaman\u0131n etimolojisiyle ilgili. Diyor ki iki yayg\u0131n fikir var. Biri perdeler ba\u011fland\u0131\u011f\u0131 i\u00e7in ba\u011flama deniyor diyor (buraya bdsm \u015fakas\u0131 ekleyebilir isteyen), di\u011feri de eli tek bir pozisyona ba\u011flay\u0131p neredeyse t\u00fcm t\u00fcrk\u00fcy\u00fc \u00e7alabildi\u011fimiz i\u00e7in bu \u00e7alg\u0131ya ba\u011flama diyoruz diyor. (e buraya da oluyo bdsm \u015fakas\u0131) (\u015faga \u015faga)<\/p>\n\n\n\n
Yani bizim m\u00fczik k\u00fclt\u00fcr\u00fcm\u00fcz zaten \u00e7ok da hareket etmeden m\u00fczi\u011fi, meldoiyi y\u00fcr\u00fctmenin yolunu incecik sap\u0131 olan 3 s\u0131ra telli bir \u00e7alg\u0131yla yapm\u0131\u015f. Eeeeey Avrupa! bu da \u015faga. <\/p>\n\n\n\n
E peki Batuhan Mutlugil? Evet. Oje \u015fark\u0131s\u0131n\u0131 bildiniz mi Duman’\u0131n? Verse k\u0131sm\u0131ndaki akorlar Am-F-E7. Peki nas\u0131l \u00e7ald\u0131\u011f\u0131na bakt\u0131n\u0131z m\u0131 hi\u00e7? Akorlar\u0131, sadece a\u00e7\u0131k akor bilenlerin “a\u015fk\u0131m anlamad\u0131m ben bunu \ud83d\ude41 ” dedi\u011fi bir \u015fekilde bas\u0131yor. Voice leading ya da CAGED sistemini bilenlerinse pe\u015fin satan konumundan izleyip “e tabi en mant\u0131kl\u0131s\u0131 \u00f6yle basmak” dedi\u011fi \u015fekil o \u015fekil. <\/p>\n\n\n\n
Bununla ilgili YouTube videosu bu ak\u015fam kanalda olacak. <\/p>\n\n\n\n
Yar\u0131n g\u00f6r\u00fc\u015f\u00fcr\u00fcz. <\/p>\n\n\n\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Benim d\u00fc\u015flerde Fenerbah\u00e7e’nin ileri \u00fc\u00e7l\u00fcs\u00fc… \u015faga \u015faga. Voice Leading denen bir tabir var m\u00fczikte sevgili okurlar. Klasik bat\u0131 m\u00fczi\u011finin ve do\u011fal olarak modern bat\u0131 m\u00fczi\u011finin de armonisinin neredeyse \u00fczerine in\u015fa edildi\u011fi bir konsept. Ana fikir \u015fu; akor de\u011fi\u015fimlerinde akor seslerini birbirlerine en yak\u0131n seslere hareket ettirerek y\u00fcr\u00fctmek. (BEYLER, KARADAN) Da\u011f\u0131lmayal\u0131m arkada\u015flar diyor yani sesler birbirlerine. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1174","post","type-post","status-publish","format-standard","hentry","category-genel"],"_links":{"self":[{"href":"https:\/\/www.maliakpolat.com\/index.php?rest_route=\/wp\/v2\/posts\/1174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.maliakpolat.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.maliakpolat.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.maliakpolat.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.maliakpolat.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1174"}],"version-history":[{"count":2,"href":"https:\/\/www.maliakpolat.com\/index.php?rest_route=\/wp\/v2\/posts\/1174\/revisions"}],"predecessor-version":[{"id":1176,"href":"https:\/\/www.maliakpolat.com\/index.php?rest_route=\/wp\/v2\/posts\/1174\/revisions\/1176"}],"wp:attachment":[{"href":"https:\/\/www.maliakpolat.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.maliakpolat.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.maliakpolat.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}